Jeremy Hamilton-Arnold analyses the phenomenon of the 'hipster headdress' and the display of the Plains Indian war bonnets in indie music festivals as a heterotopian hipster space. Native Peoples and their allies recognize this appropriative act as offensive inauthenticity and a profane twinning of a sacred original while for the hipster it fulfills desires for an authentic, pre-modern, outsider identity.
MLA citation format:
Hamilton-Arnold,...