It is largely because of the confusion between these different types of knowledge systems that the possibility of constructing a single version of Ayodhya’s past is both impossible and un-realistic. Its ‘pasts’ are inscribed in a myriad of contradictory ‘texts’, literary, archaeological and countless others derived from oral sources, or from temporal spheres such as the dates upon which certain sites are supposed to be visited. Like all texts, none can be read in purely objective terms, especially since they are tied up with issues of invention and legitimization. Although it is described in the Mahabharata (a composite text dealing with the story of the epic war between the Kurus and the Pandavas) as one of the seven sacred cities of India, Bakker has convincingly argued that these cities did not become important until the Gupta period, when the development of pan-Indian pilgrimage was very much part of the legitimizing strategies of local rulers (1986: 30). Certainly, during the Mauryan period, any religious significance which the city might have attained at the supra-regional level was due to the royal patronage of Buddhism. There are suggestions that a Hindu challenge to Buddhism may have begun during the 2nd century BC; for example, an inscription found in Early Historical levels of Hanumangarhi refers to a royal Hindu rite which represented a rival model of kingship to that followed by the earlier Buddhist kings (Epigraphica Indica 20: 53). However, it is only during the Gupta period, under Candragupta I (c. AD 320), that Ayodhya’s reputation as a Brahmanical religious centre attained any prominence. Both of the subsequent kings, Kumaragupta and Skandagupta, are known to have been Vaisnavas, and the latter (c. AD 455-467) is central to the process of the creation of Ayodhya’s Vaisnava sacred landscape (Bakker 1986: 30). A common strategy amongst the Gupta kings, aimed at forging a unity between the materiality of the historical present and the mythical temporal sphere of the Tretayuga, was to identify themselves with the legend of the semi-mythical king Vikramaditya, who according to tradition had restored Ayodhya to its Ikvaksu glory by ‘rediscovering’ the ancient sites sanctified by the acts of Rama and Sita. In the case of Ayodhya, it is Skandagupta who assumes the title, and according to the tradition goes on to built 360 temples on these rediscovered sites (Martin 1838: 331). It is this blurring of the boundaries between the frame-works of archaeological and ritual time, space and topography, which forms the legitimizing basis of this invented biography.